BRIEFING NOTE: REVIEW OF THE BILL FOR AN ACT TO REPEAL THE COPYRIGHT ACT CAP C28 LFN 2004 AND TO RE-ENACT THE COPYRIGHT ACT 2021 AND FOR MATTERS CONNECTED THEREWITH, 2021 (SB:688)
Before
the 9th Assembly of the Senate of the Federal Republic of Nigeria is
the Bill for an Act to Repeal the Copyright Act CAP C8 LFN 2004 and To Re-Enact
the Copyright Act 2021 and For Matters Connected Therewith, 2021 (SB. 688).
In this briefing note, we highlight a
summary of the key provisions of the Bill:
A.
Features of the Bill: |
|
Short
Title: |
Copyright Act Repeal and Re-enactment
Bill, 2021. |
Principal
Purpose: |
The bill seeks to repeal the Copyright
Act Cap C28 2004 and Re-enact the Copyright Act 2021 for a holistic review of
the policy and legal framework for copyright protection in Nigeria. |
Application: |
The Federal Republic of Nigeria. |
No.
of Parts: |
5 |
No.
of Sections: |
73 |
No.
of Schedules: |
5 |
Sponsor: |
Senator Mukhail
Adetokunbo Abiru |
B.
Summary of Major
Provisions of the Bill and Remarks: |
The Bill passed
its First Reading on May 4th, 2021, and Second Reading on Tuesday,
June 8th, 2021. The Bill is currently at the Committee stage and is
before the Committee on Trade and Investments for
its Report. The relevant provisions are as follows:
S/N |
Relevant Provisions |
Synopsis of the Bill |
Remarks |
PART 1: COPYRIGHT |
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1. |
Section 1: Works eligible to Copyright |
Subsection 1 of this section provides
that the following are eligible for copyright: a.
Literary
works b.
Musical
works c.
Artistic
works d.
Audiovisual
works e.
Sound
recordings; and f.
Broadcasts Subsection 2 provides for the conditions
to which a literary, musical or artistic work shall be eligible for
copyright. Subsection 3 provides that an artistic
work shall not be eligible for copyright if at the time of its creation, the
author intended to use it as a model or pattern to be multiplied by any
industrial process. Subsection 5&6 state that
eligibility under the Bill shall not be subject to any formality and copyright
protects any eligible work immediately it is created. |
The Bill specifically identifies the category
of works eligible to be protected against copyright.
The Bill states the exception to the
rule of eligibility for copyright which is if the work was created for the
specific purpose of being re-created for industrial purposes. This is
important to mitigate ridiculous copyright claims.
The Bill emphasizes that immediately a
work is created and does not fall within any exception[1],
then it is automatically protected by copyright. There need not be any
specific registration to be protected. |
2. |
Section 2: Copyright by virtue of
nationality or domicile |
Section 2(1) Copyright shall be
conferred on every work eligible for copyright of which the author or, in
case of a work of joint authorship, any of the authors is at the time when
the work is made, a qualified person, that is: i.
An
individual who is a citizen of, or is domiciled in Nigeria or ii.
A
body corporate incorporated by or under the laws of Nigeria.
Section 2(4) provides that in the case
of a work of joint authorship, a reference to the death of the author made in
the first schedule shall be taken to refer to the author who dies last. |
This section makes all work made by a
citizen or a person who lives in Nigeria or even a company duly incorporated,
eligible for copyright.
This means that the copyright for a
joint work shall only cease when the last author dies whether or not he is covered
by section 2(1). |
3. |
Section 3: Copyright by reference to
Country of origin. |
Section 3 (1) provides that Copyright
shall be conferred by this section on every work, other than a broadcast,
which is eligible for copyright and which (a) being a literary, musical or
artistic work or an audiovisual works, is first published in Nigeria or (b)
being a sound recording, is made in Nigeria, and which has not been the
subject of copyright by section 2 of the Bill. |
Literary,
musical, artistic and audiovisual works made first published or made in
Nigeria are eligible for copyright protection. |
4. |
Section 4: Copyright in works of Government,
State Authorities and International Bodies |
This section provides that copyright
shall be conferred by this section on every work which is eligible for
copyright and is made by or under the direction or control of the Government,
a State authority, or a prescribed international body. |
The eligibility for copyright extends to
works which have been made under the direction of the government, state or
international body duly authorized. |
5. |
Section 5 – Copyright by reference to International
Agreements. |
This section confers copyright on every
work if: (a)
on
the date of its first publication at least one of the authors is (i) a
Citizen of or domiciled in Nigeria; or (ii) a body corporate established by
or under the laws of, a country that is a party to an obligation in a treaty
or other international agreement to which Nigeria is a party. (b)
the
work is first published (i) in a country which is a party to an obligation in
a treaty or other international agreement to which Nigeria is a party; (ii)
by the UN or any of its specialized agencies; (iii) by the Organisation of
African Unity; or (iv) by the Economic Community of West African States; v)
if the work qualifies as a work emanating from any of the countries listed in
the 1972 Copyright (Reciprocal Extension) Order |
With respect to works created outside
Nigeria, such works shall be eligible to copyright if it was created in such
a country which is a party to a treaty or international agreement to which
Nigeria is a party. The Bill makes an innovation to the existing Copyright
Act by conferring copyright on every work emanating from any of the countries
listed in the 1972 Copyright (Reciprocal Extension) Order. |
6. |
Section 6 – Nature of Copy Right in Literary,
Artistic, Musical and Audiovisual Works |
This section provides that subject to
the exceptions in the second schedule, copyright in a work shall be the
exclusive right to do or authorize the reproduction, publishing, performing
in public, produce, make audiovisuals, distribute, broadcast, communicate to
the public, etc.
Section 6(3) provides that copyright
extends to architecture and rights to control the erection of any building
which reproduces the whole or substantial part of the work either in its
original form or any form recognizably derived from the original, but not the
right to control the reconstruction the same style as the original of a
building of a building to which the copyright relates. |
This section defines the nature of
copyright and what works are eligible to be protected. The Bill makes work
available to the public by wire, wireless or online means in such a way that
members of the public are able to access the work from a place and at a time
individually chosen by them subject to copyright. This is a new addition to
the provisions of the Copyright Act. |
7. |
Sections 7 & 8 – Nature of copyright
in sound recordings and broadcast. |
These sections subject to the exceptions
in the second schedule[2],
cover copyright in a sound recording and broadcast, and the exclusive right
to control in Nigeria, the production, broadcasting, reproduction,
communication to the public, distribution for commercial or rental purposes. |
|
8. |
Section 10 – First ownership of
copyright |
(1) Copyrights conferred by section 2
and 3 of the Bill shall vest initially in the author.
(2) Notwithstanding subsection (1) of
this section, where a person Commissions the taking of a photograph, or the
painting or drawing of a portrait or the making of an audiovisual work, the
person who Commissioned the photograph, portrait or audiovisual work shall
unless there is a written agreement to the contrary, have:
(a) a non-exclusive license to exploit
the photograph, portrait or audiovisual work and
(b) a right to restrain the publication,
exhibition, communication and distribution of the photograph, portrait or
audiovisual work to the public.
(3) Notwithstanding subsection (6) of
section 11 of the Bill where a work- (a) is Commissioned by a person who is
not the author’s employer under a contract of service or apprenticeship; or (b) not having been so Commissioned, is
made in the course of the authors employment, the copyright shall belong in
the first instance to the author, unless otherwise stipulated in writing
under the contract.
(4) Where a literary, artistic or
musical work is made by the author in the course of his employment by the
proprietor of a newspaper, magazine or similar periodical under a contract of
service or apprenticeship as is so made for the purpose of publication shall,
in the absence of any agreement to the contrary, be the first owner of
copyright in the work in so far as the copyright relates to the publication
of the work in any newspaper, magazine or similar periodical; or to the
reproduction of the work for the purpose of its being so published; but in
all other aspects, the author shall be the first owner of the copyright in
the work.
Section 10 (6) provides that where a
person, in the absence of an agreement to the contrary, creates a work under
the direction of the government, state or international organization, the
copyright shall vest only in the government, state or international organization.
|
This section describes the right of
ownership in a copyright as it applies to the different works protected.
Subsection (2) of this section provides that
the copyright shall vest in the person who Commissions the taking of a
portrait or the making of an audiovisual work. However, where the Commission
of the portrait or the audiovisual work is not done by the author’s employer under a contract of service or
apprenticeship, the copyright shall belong to the author.
Subsection (4) of this section seems to
suggest that the first owner of a literary, artistic or musical work where
the author is under employment by the proprietor of a newspaper, magazine or
similar periodical shall be the proprietor. However, the language of the Bill
is not clear in this regard. |
9. |
Section 11 – Assignment and Licensee |
Subsection 1 provides that subject to
the provisions of this section, copyright shall be transmissible by assignment,
by testamentary disposition or by operation of law, as movable property
pursuant to Chapter 4 of the Nigerian Constitution.
Section 11(3) states that no assignment
of copyright and no exclusive license to do an act, the doing of which is
controlled by copyright, shall have effect unless it is in writing.
Section 11(4) provides that a
non-exclusive license to do an act, the doing of which is controlled by
copyright, may be written or oral, or may be inferred from conduct.
Section 11(7) provides that an
assignment, license or testamentary disposition may be effectively granted or
made in respect of a future work or an existing work in which copyright does
not yet subsist; and the prospective copyright in any such work shall be
transmissible by operation of law as movable property. |
This section provides for legitimate
ways of transferring the rights in a copyright which include by assignment,
by testamentary disposition or by operation of law, as movable property
pursuant to Chapter 4 of the Nigerian Constitution.
Of importance is the fact that exclusive
licence to copyright by way of an assignment needs to be in writing while
non-exclusive assignments need not be in writing. |
10. |
Section 13 – Right to share in the
proceeds of sale |
Section 13 provides that notwithstanding any
assignment or sale of the original work, the authors of graphic works,
three-dimensional works and manuscripts shall have an inalienable right to
share in the proceeds of any sale of that work or manuscript by public
auction or through a dealer whatever the method used by the latter to carry
out the operation.
This section establishes that an author
has a right to a share in the proceeds of the sale of his work through any
means of sale. |
|
11. |
Section 14 – Duty to keep record of work
produced. |
This section provides that any person
carrying on the business of production or reproduction of works including
publishers, printers, producers, manufacturers, and aggregators of works in
which copyright subsists shall keep a record of all works dealt with in the
course of their business, showing the name of the author, title of the work,
date of use/production, quantity of work used, any other information
prescribed by the Commission. |
By virtue of this section any person
that does the production or reproduction of a work has the duty to keep
copies of such work which would include certain necessary information. The
Bill does not prescribe the form which this record will be in. |
12. |
Section 15 – Infringement of copyright |
Section 15 (1) provides for
circumstances in which copyright could be infringed upon. Copyright is infringed by any person who
without the licence or authorisation of the owner of the copyright— (a) does,
or causes any other person to do an act, the doing of which is controlled by
copyright under sections 6, 7, and 8 of the Bill; (b) imports or causes to be
imported into Nigeria any copy of a work which, if it had been made in
Nigeria, would be an infringing copy under this section of the Bill; (c)
exhibits in public any article in respect of which copyright is infringed
under paragraph (a) of this subsection; (d) distributes by way of trade,
offers for sale, hire or otherwise or for any purpose prejudicial to the
owner of the copyright, any article in respect of which copyright is
infringed under paragraph (a) of this subsection; (e) makes or has in his
possession plates, master tapes, machines, equipment or contrivances used for
the purpose of making infringed copies of the work; (f) permits a place of
public entertainment or of business to be used for a performance in the public
of the work, where the performance constitutes an infringement of the
copyright in the work, unless the person permitting the place to be so used
was not aware, and had no reasonable ground for suspecting that the
performance would be an infringement of the copyright; (g) performs or causes
to be performed, for the purposes of trade or business or as supporting
facility to a trade or business, any work in which copyright subsists. (h)
permits within its premises, the reproduction including photocopying, scanning
and dubbing, of copyright material.
Section 15 (2) however provides for the
exemptions to this. It provides that where any work in which copyright
subsists, or a reproduction of any such works, is comprised in— (a) the
archives stored in the National Archives established under the National
Archives Act; or (b) the public records of a State, being records for the
storage or custody of which provision is made by law, the copyright in the
work is not infringed by the making or the supplying to any person of any
reproduction of the work in pursuance of that Act or law. |
By virtue of this section, we get to see each
ground that may result in the infringement of copyright. The exemptions shall
apply to the reproduction of works stored in the National Archives or works
comprised in the public records of a State. |
13. |
Section 16 – Action for exemption |
Section 16 (1) provides that any
infringement of copyright is actionable at the suit of the owner, assignee or
an exclusive licensee of the copyright, in the Federal High Court. (3)
provides that where a defendant committed an infringement but was not
aware and had no reasonable ground for suspecting that copyright subsisted in
the work, the plaintiff shall not be entitled to damages |
This section establishes that
infringement of copyright is actionable and if the defendant was by no means
aware of the existence of the copyright, then the claimant shall not be
awarded damages |
14.
|
Section 17 – Limitation to the right of
action |
This section provides that no Action for
the infringement of copyright shall be commenced or maintained by any person
– a)
carrying
on the business of negotiating and granting licenses b)
collecting
and distributing royalties in respect of copyright works |
This section talks about certain
categories of persons that are not allowed to commence an action for
infringement. This is in line with provisions of the existing Copyright Act.
It should be noted that Section 16 of the Bill provides for the categories of
persons who can sue which are the owner, assignee or an exclusive licensee of
the copyright. |
15. |
Section 18 – Conversion rights |
By virtue of this section any instrument
or work whatsoever used or is intended to be used to cause an infringement is
deemed to be the property of the owner. |
According to this section any and all
infringing copies of a work becomes that of the original author. |
16. |
Section 19 – Infringement actionable as
breach of statutory duty |
By virtue of this section, it is understood
that an infringement of the rights conferred by sections 10 and 12 (first
ownership of copyright and right to claim authorship) of the Bill is
actionable as a breach of statutory duty owed to the person entitled to the
right. |
This section states that a breach of
sections 10 and 12 is actionable as a breach of statutory duty owed to the
person entitled to the right and such person is entitled to an award of
damages etc. |
17. |
Section 21 – Offence by bodies corporate |
Section 21 (1) provides that where an
offence under the Bill was committed by a body corporate, the body corporate
and every person who at the time the offence was committed oversaw the
business of the body corporate shall be deemed guilty and liable to be
proceeded against and punished accordingly. (2) provides that notwithstanding
subsection 1 of this section if the offence was committed with the consent or
convenience of any director, manager, secretary or other officer of the body
corporate such person shall be deemed guilty and liable to be proceeded
against and punished accordingly. |
Where a corporate body commits an
offence, officers and managers of the corporate body may also be held guilty
of the offence. |
18. |
Section 22 – Penalties for failure to
keep records or making Entries |
Section 22 (1) provides that any person
who – a)
fails
to keep the record required under section 14 of all works dealt with in the
course of their business which shall show the name of the author, the title
of the work, date of use or production, the quantity of the work used or
produced, and any other information as may be prescribed by the Commission. b)
makes
or causes to be made false entry in such record. c)
produces
or tenders or causes to be produced or tendered as evidence any false entry
knowing same to be false, shall be guilty of an offence under this section
and be liable on conviction to a fine of not less than N1,000,000.00. (2) by virtue of this subsection a
copyright owner or any person having an interest in a work shall upon written
demand, be furnished with the information relating to the work as contained
in the record required to be kept under this section. |
This section provides for the penalty of
breaching the provisions of section 14 of the Bill which mandates any person
carrying on the business of production or reproduction of works to keep a
record of all works dealt with in the course of their business. |
19. |
Section 23 – Civil and criminal actions
may be simultaneous |
Notwithstanding the provisions of any
law to the contrary, it shall be permissible for both criminal and civil
actions to be taken simultaneously in respect of the same infringement under the
Bill. |
Civil and criminal action can be brought
together as per this section. |
20. |
Section 24 – order for inspection and
seizure |
This section provides that where an ex
parte application is made to the court supported by affidavit, with
reasonable cause to suspect that an infringement has or will occur. The court
can make an order for the applicant to enter the house or premises of the
respondent under certain conditions accompanied by a police officer or a
Copyright Inspector[3]
and seize and inspect any infringing copy or contrivance and any documents in
the custody or under the control of the defendant relating to the action. |
By virtue of this section the court can
give an order for inspection or seizure if an application is made, and
certain grounds set out by this section must be present before an order for
inspection and seizure is made. |
PART II: ONLINE AND OTHER ANTI – PIRACY
MEASURES |
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21. |
Section
25: Anti-piracy devices |
Subsection
1 provides that the Commission with the consent of the Minister shall have
the power to prescribe any design, label, mark, impression, or any other
anti-piracy device for use on, in, or in connection with any work in which
copyright subsists. Subsection
2 provides that any person who sells, rents, hires; or offers for sale, rent,
or hire any work in contravention of Subsection 1 above commits a crime and
shall be liable on conviction to a fine of not less than N500,000 or to
imprisonment for a term of not less than 3 years or to both such fine and
imprisonment. Subsection
3 provides that any person who without the permission of the Commission
imports into Nigeria; or has in their possession any machine, instrument or
other contrivance intended for use in the production of the anti-piracy
device commits an offence and is liable on conviction to a fine of not less
than N1,000,000 or to imprisonment for a term of not less than 5 years, or to
both such fine and imprisonment. Subsection
4 provides that any person who without the permission of the Commission is in
possession of; or reproduces; or counterfeits any anti-piracy device
prescribed under this section commits an offence and is liable on conviction
to a fine of not less than N200,000 or to imprisonment for a term of not less
than 2 years, or to both such fine and imprisonment. Subsection
5 provides that the Commission shall have power, with the consent of the
Minister to make regulations specifying the conditions necessary to give
effect to the purpose of this section. |
This
Section provides that only the Commission with the consent of the Minister
shall prescribe any anti-piracy device. The Section further provides for
offences where the above directive is not complied with and the penalties for
non-compliance.
This
Bill provides for stiffer sanctions for similar offences when compared with
the Copyright Act. Whereas the Copyright Act imposes fines of N100,000,
N500,000 and N50,000 respectively, the Bill imposes fines of N500,000,
N1,000,000 and N200,000 respectively.
The
Section further provides that the Commission, with the consent of the
Minister shall make any further regulations as necessary to ensure that the
provisions of the Section are enforceable. |
22. |
Section
26: Circumvention of technological protection measures |
Subsection
1 provides that subject to the provisions of Part II of the Bill, no person
shall knowingly circumvent a technological protection measure that
effectively protects a work under this Bill. Subsection
2 provides that no person shall manufacture, import, sell, offer to the
public, provide, or otherwise traffic in any technology, product, service,
device or part thereof that is primarily designed or produced for the purpose
of circumventing protection afforded by a technological measure that effectively
protects a work under this Bill; or has only limited commercially significant
purpose or use other than to circumvent protection afforded by a
technological measure that effectively protects a work under this Bill. Subsection
8 provides that the provision of this section shall not affect the exercise
of any exception provided in this Bill as it relates to the work in respect
of which the technological protection measure is applied. |
The
section provides against circumvention of a technical protective measure.
Circumvention is defined in the Bill as avoiding, bypassing, removing,
deactivating, decrypting or otherwise impairing a technological measure. The
section however requires the mental element to be present before one can be
said to have circumvented a technological protection measure. Thus, where one
unknowingly circumvents a technological protection measure, one shall not be
guilty of having committed an offence.
|
23.
|
Section
27: Falsification, alteration or removal of rights management information |
Subsection
1 provides that no person shall knowingly and with intent to induce, enable,
facilitate or conceal infringement provide rights management information that
is false. Subsection
2 provides that no person shall without the authority of the copyright owner:
(a) knowingly remove or alter any rights management information, (b) sell,
offer for sale, distribute, import for distribution, broadcast or communicate
to the public, works or copies of works knowing that rights management
information has been removed or altered without authority, knowing, or having
reasonable grounds to know, that it will induce, enable, facilitate, or
conceal an infringement of any right under this Bill. |
This
section also provides that the concealment of rights management information
can only be said to have been done when the person carried it out knowingly. |
24. |
Section
28: Actions for circumvention of technological protection measures and rights
management information |
Subsection
1 provides that any person whose right is affected by acts under this Bill
may bring an action for such acts and the court before which such action is
brought may grant all such reliefs by way of damages, injunction, accounts or
otherwise as shall be available to a plaintiff in any corresponding
proceedings in respect of infringement of other proprietary rights. Subsection
2 provides that a court before which an action is brought under this section,
may order that any device or product that is in the custody or control of the
alleged violator, which the court has reasonable cause to believe was
involved in the violation, to be impounded on such terms as it deems
necessary. Subsection
3 provides that any person who, in the course of business, makes or imports
into Nigeria technology or device for the circumvention of a technological
protection measure, knowing that it is likely to be so used is guilty of an
offence and liable on conviction to a fine of not less than N1,000,000 or to
imprisonment for a term of not less than 5 years or to both such fine and
imprisonment. Subsection
4 provides that any person who, in the course of business, sells,
distributes, lets for hire, offers or exposes for sale or hire, a technology
or device for the circumvention of a technological protection measure,
knowing that it is likely to be so used is guilty of an offence and liable on
conviction to a fine of not less than N500,000 or to imprisonment for a term
of not less than 3 years or to both such fine and imprisonment. Subsection
5 provides that any person who, in the course of business, provides a service
to another knowing that the service is to enable or assist that other person
to circumvent a technological protection measure is guilty of an offence and
liable on conviction to a fine of not less than N200,000 or to imprisonment
for a term of not less than 2 years or to both such fine and imprisonment. |
The
Bill in this section, provides for the penalties for the offences in Sections
26 & 27. The Bill also provides that the other party whose right is
affected by any act under the Bill may bring an action in respect of same,
and the court may grant any relief as it deems fit. |
25. |
Section
29: Notice to Take Down |
Subsection
1 provides that the owner of copyright in a work, in respect of which
copyright has been infringed, may issue notice of such infringement to the
relevant service provider requesting the service provider to take down or
disable access to any infringing content or link to such content, hosted on
its systems or networks. Subsection
2 provides that to be effective under this section, a notification of an
alleged infringement must be made in writing to the service provider or his
designated agent and shall include the following: (a) a physical or electronic
signature of a person authorized to act on behalf of the owner of an
exclusive right that is allegedly infringed; (b) identification of each work
claimed to have been infringed; (c) identification of the material that is
claimed to be infringing or to be the subject of infringing activity and that
is to be removed or access to which is to be disabled, and information
reasonably sufficient to permit the service provider to locate the material;
(d) information reasonably sufficient to permit the service provider to
contact the complaining party, such as an electronic mail address, telephone
number, or a location address at which the complaining party may be
contacted; (e) a declaration on oath that the complaining party has good
faith belief that use of the material in the manner complained of is not authorized
by the owner of copyright or his agent, or the law; and (f) a statement that
the information in the notification is accurate and that the complaining
party is authorized to act on behalf of the owner of an exclusive right that
is allegedly infringed. |
The
section provides that a copyright owner whose rights have been infringed upon
may issue notice to the service provider in respect of the infringement, that
it be taken down.
The
Bill, however, does not define the word “service provider.” It is unclear
whether this applies to either internet service providers, publishers, social
media platforms or to all. The
Bill further provides the contents of a notice to take down before such
notice can be regarded as effective. |
26. |
Section
30: Take down of infringement content |
Subsection
1 provides that a service provider, upon receiving notice of infringement
under Section 29 shall promptly notify the subscriber responsible for the
content for which the notice relates informing him of the content of the
notice. Subsection
2 provides that if within 48 hours of the receipt of the notice of takedown
the subscriber fails to provide any information justifying the continued
keeping of the content complained about, the service provider shall take down
or disable access to the infringing content or links to such content hosted
on its systems or networks, and thereafter, notify the owner of the copyright
accordingly. Subsection
3 provides that where a subscriber has provided information justifying the
keeping of the content complained about, or the service provider is otherwise
convinced that the complaint of the owner of copyright is without merit, he
shall promptly inform the owner of copyright of his decision not to take down
the content. Subsection
4 provides that the service provider may resume access to or restore removed
content or a link if he receives a written counter notice from the subscriber
which he has forwarded to the owner of copyright immediately upon receipt;
and he did not receive, within 10 days after forwarding the counter notice, a
notice from the owner of copyright, indicating that no authorization has been
granted for the subscriber to make the content available. Subsection
5 provides that a service provider shall take all reasonable steps to prevent
any content taken down or removed pursuant to the provisions of this Bill
from being reloaded onto its system or network and upon becoming aware of
such content being uploaded, to promptly remove pr disable access to the
content without further notice to the subscriber. Subsection
8 provides that a service provider who fails to comply with the provisions of
subsection (1) & (2) of this section shall be liable for such failure as
a breach of statutory duty; and for infringement of the content which is
subject matter of the notice under section 29 to the same extent as the
person responsible for placing of such content on the system or network. Subsection
9 provides that without prejudice to subsection (8) of this section, a
service provider, who upon receipt of a notice to take down infringing
contents under section 29 of this Bill, and fails to comply with the
provisions of subsection (1) and (2) of this section, commits an offence and
shall be liable to conviction to a fine not less than N2,000,000 or to
imprisonment for a term not less than 2 years, or to both such fine and
imprisonment. |
This
section provides for the means by which the infringing content shall be taken
down by the service provider, as well as factors that shall be in place before
such content is restored. The section also provides for an offence where the
service provider fails to comply with the directives, and the penalty for
non-compliance.
It
should be noted that where a conflict occurs between the enforceability of
the take down order and the policies of the internet service providers (where
they fall under the ambit of service providers as provided in this section),
the provisions of the Bill shall supersede the policies of the internet
service providers. |
27. |
Section
31: Procedure for suspension of accounts of repeat infringers |
Subsection
(1) provides that a service provider, upon receiving a notification from an
owner of copyright or his authorized agent that a particular account has been
engaged in repeated infringement, shall: (a) promptly send a warning to the
subscriber who has been identified, informing that subscriber that another
notification will lead to suspension of the account and requiring the
subscriber to confirm receipt of the warning; and (b) after a second
notification relating to the same account, if no challenge is pending
pursuant to subsection (2) below, promptly suspend the account for a period
of at least one month. Subsection
(2) provides that a subscriber receiving a warning may challenge the notice
on grounds of mistake or misidentification as follows: (a) within 10 days
from the date of the warning, send a signed counter notice to the service
provider, furnishing his full contact details and the factual basis of his
belief that his account has been misidentified or that the use of the content
was not infringing; (b) if the basis for the challenge under the foregoing
subsection cannot be resolved within 10 days of the receipt of the
counternotice, the matter shall be referred to the Commission to determine
the validity of the challenge. Subsection
(3) provides that a service provider acting in good faith in suspending the
account of a subscriber, relying on the information contained in a
notification referred to in the foregoing subsection shall not be liable to
any person for any claim based solely on that suspension. |
This
section provides that service provider may suspend the account of a repeat
infringer for at least one month upon receiving a notification from the
copyright owner. The section also provides that the infringer may challenge
the notice, and where a service provider erroneously, but in good faith,
suspends the account of a subscriber, the service provider shall not be
liable for any claim arising from the error. |
28. |
Section 32: Misrepresentation |
Any
person who knowingly materially misrepresents under Part II of the Bill that
material or activity is infringing; or that material or activity was removed or
disabled by mistake or misidentification; shall be liable for any damages,
incurred by the alleged infringer, by any owner of copyright or other subject
matter or his authorized licensee, or by a service provider, who is injured
by such misrepresentation, as a result of the service provider relying upon
such misrepresentation in removing or disabling access to the material or
activity claimed to be infringing, or in replacing the removed material or
ceasing to disable access to it.
|
|
PART III: NEIGBOURING RIGHTS
(PERFORMER’S RIGHTS AND FOLKLORE) |
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29. |
Section 38: Rights of a Performer |
Section 38 (1) provides for the acts
which a Performer may control in relation to his performance. The section
essentially allows the Performer to control the following activities in
relation to his performances:
a.
Fixation
of his unfixed performance (Recording of such performance in any manner
whatsoever) b.
Reproduction
of a fixation of his performance, in any manner or form (This reproduction
specifically incudes original fixation for which consent was not obtained
from the Performer) c.
Public
distribution either by sale or transfer of ownership in a fixation of his
performance that is not yet subject to distribution by the Performer. d.
Broadcast
or communicate such performance to the public unless such performance was
already a broadcast performance or is made from a fixation of such
performance or reproduction of same e.
Rental
to the public or public lending of a fixation or copies of the fixation of
his performance irrespective of the ownership of the copy rented or lent. f.
Making
his fixed performance available through wire, wireless or online means, in
such a way that members of the public may access them from a place, or a time
individually chosen by them. Performance in this respect includes –
dramatic performance (including dance and mime), musical performances,
reading or recitation of literary acts or any similar presentation which is a
live performance by one or more individuals.
A Performer includes actors, singers,
musicians, dancers and other persons who act, sing, deliver, declaim, play
in, interpret or otherwise perform literary or artistic works or expressions
of folklore irrespective of whether the work is fixed or only fixed during
performance |
The Bill, through this section allows a
Performer to control the distribution and use of his performances, from
authorizing the recording of such performance to controlling the distribution
of such performance. It also describes who Performers are as well as acts that
constitute performances. |
31. |
Section 40 – Presumption of Consent |
This section provides that in the
absence of any agreement to the contrary, a Performer’s consent to the
broadcasting of his performance shall be deemed to include his consent to the
rebroadcasting of his performance, the fixation of his performance for
broadcasting purposes and the reproduction for broadcasting purposes of such
fixation |
This section of the Bill indicates that
once a Performer gives consent to the broadcasting of his performance,
without having contracts in place limiting the extent of reproduction or
broadcasting, such consent will be deemed to also apply to rebroadcasting of
such performance. |
32. |
Section 41 – Moral Rights of the
Performer |
The moral rights of a Performer by
virtue of this section include:
a.
Right
to be identified as a Performer in connection with any use of his performance
or the fixation thereof b.
Right
to object to and prevent any distortion, mutilation or modification of his
performance or fixation and any derogatory action which would be prejudicial
to his honor or reputation.
Subsection 2 provides that the moral
rights shall not be transmissible during the life of the Performer but shall
upon his death be transmissible by testamentary disposition or by operation
of law. Further, subsection 3 provides that the moral rights shall subsist
for the duration of the Performer’s right
|
|
33. |
Section 42 – Collective Performances |
This section provides that where several
performers perform as a group, sufficient consent may be given by any person
in charge of the group and any payment for the use of the performance, unless
otherwise stipulated, may be made to such person.
|
|
34. |
Section 43 – Exceptions to Performer’s
rights |
This section provides that where a
Performer gives consent to the incorporation of his performance in a visual
or audio-visual fixation, an affidavit would not be required to show that
such consent was given.
Subsection 2 further provides that a
fixation of a performance may be used without consent of the Performer where:
a.
It
is for the purpose of judicial, legislative or administrative proceedings. b.
It
is for the demonstration of recording, amplifying or similar apparatus
(provided that such demonstration is made by a licensed dealer on his
premises to a specific client) c.
The
reproduction of short extracts from an object of the Performer’s rights in
reports on current events, to the extent justified by that purpose. d.
Use
for the purpose of research or private study of an object of the Performer’s
rights kept in publicly accessible libraries, educational establishments,
museums or archives on the premises of said institutions. e.
Making
an ephemeral recording of an object of the Performer’s rights by broadcasting
organizations with their own facilities. Recordings in this instance are to
be kept for a period not exceeding 30 days after which they are to be deleted
after their use for broadcasting. Recordings of an exceptional documentary
character may be transferred to designated archives for preservation. f.
Such
performance is reproduced for disabled persons and for non-commercial purposes. g.
Performance is to be used for illustration
for teaching or scientific research, criticism or review but must include the
source/author of such performance unless such is impossible. Further exceptions from copyright
protection as indicated in Schedule 2 are applicable. |
This section provides for actions which
may be done without the consent of the Performer in relation to his
performance. |
35. |
Section 44 – Transfer of Performer’s
rights |
A Performer who authorizes the fixation
of his performance shall in the absence of any agreement to the contrary be
deemed to have granted the receiver the exclusive right to receive
remuneration in respect of any broadcast, transmission or communication to
the public of such performance, provided that the Performer is entitled to
share in any payment received by such receiver or his successor in title.
Where there is no agreement on
remuneration, either party may refer the matter to the Commission to
determine the proportion of remuneration due to each party. |
The Bill provides in this section that
where a Performer transfers his rights without any agreement limiting the
extent of such transfer, the receiver may have exclusive rights to receive
remuneration for any subsequent communication to the public. However, the
Performer is still entitled to a share of remuneration for such performance. Where there is no agreement for
remuneration, the Commission may settle same. |
36. |
Section 46 – Acts of infringement |
A breach of Performer’s rights occurs
where any of the following is done without the Performer’s consent or
authorization: a.
Making
a recording of the whole or substantial part of a live performance b.
Communicates
or broadcasts such recording to the public. c.
Performs
the performance in public. d.
Plays
the Performance for commercial purposes. e.
Broadcasts
in a cable program a substantial part of the performance without Performer’s
consent. f.
Imports
an infringing recording. g.
Sells
or lets, offers, distributes an infringing recording. |
|
37. |
Section 47 – Action for Infringement |
The Performer is entitled by virtue of
this section to actions for breach of statutory duty, damages, injunction,
account for profits or conversion as well as to an order of court that the
recording be forfeited and delivered up to him. |
This provides for actions a Performer
may take in the event of a breach of his rights.
Specific performance is not indicated as
a remedy under the Bill, however considering the doctrine of specific
performance is a remedy in equity, the courts may apply this doctrine where
necessary. |
38. |
Section 48 – Criminal Liability for
infringement |
This section provides that a person who
does any of the acts set out in section 38 shall, unless he proves to the satisfaction
of the court that he did not know that his conduct was an infringement of the
performer’s right, be guilty of an offence and liable on conviction: a.
For
individuals, a fine not less than 1 million Naira or 12 months imprisonment
term or to both b.
For
a Corporate body, a fine not less than 5 million Naira Court may further order that the
recording be delivered to the Performer |
These provisions are meant to ensure
full compliance with the Bill and discourage default. The requirement for
knowledge is in accordance with the criminal law rule that requires the
mental element and physical element to be present before a conviction may be made. |
39. |
Section 49 – Protection of expressions
of folklore |
This section provides that expressions
of folklore are protected against the following acts: a.
Reproduction b.
Communication
to the public by performance, broadcasting, distribution by cable or other
means c.
Adaptations,
translations and other transformations Where such expressions are made for
commercial purposes or outside their rational or customary context.
It further provides that the right to
control in this regard shall not include control over: a.
Acts
by way of fair dealing for private and domestic use and in the event that the
use is public, it shall be accompanied by an acknowledgement of the title of
the work and its source. b.
Utilization
for educational purposes c.
Utilization
by way of illustration in an original work of an author – utilization must be
compatible with fair practice. d.
Borrowing
of expressions of folklore for creating an original work – such utilization
must be compatible with fair practice. e.
Incidental
utilization of expressions of folklore
Any identifiable expression of folklore
used in all printed publications or communications to the public, its source
is to be indicated in an appropriate manner, by mentioning the community or
place where such expression has been derived.
The right to authorize acts in this
section is vested in the Nigerian Copyright Commission (NCC). |
|
40. |
Section 50 – Infringement of folklore |
This section provides that any person
who, without the consent of the NCC uses an expression of folklore in a
manner not permitted shall be in breach of statutory duty and will be liable
to the Commission in damages, injunctions and any other remedies as the court
may deem fit to award in the circumstances. |
Where
folklore is used in the following manner, the provisions of this section
shall not apply: (a) the doing of any of the acts by way
of fair dealing for private and domestic use, subject to the condition that,
if the use is public, it shall be accompanied by an acknowledgement of the
title of the work and its source; (b) the utilisation for purposes of
education; (c) utilisation by way of illustration
in an original work of an author provided that the extent of such utilisation
is compatible with fair practice; (d) the borrowing of expressions of
folklore for creating an original work of an author provided that the extent
of such utilisation is compatible with fair practice; (e) the incidental utilisation of
expressions of folklore. |
41. |
Section 51 – Criminal Liability
|
This section provides that any act done
in contravention of this section – including the willful misrepresentation of
the source of an expression of folklore or distorts an expression of folklore
in a manner that is prejudicial to the honor, dignity or cultural interests
of the originating community shall be guilty of an offence under the Bill and
shall be liable upon conviction to the following penalties: a.
In
the case of an individual, to a fine not exceeding NGN100,000.00 (One Hundred
Thousand Naira) or imprisonment for a term of 12 months or to both fine and
imprisonment.
b.
In
the case of a body corporate, to a fine of NGN500,000.00 (Five Hundred
Thousand Naira) c.
A
court order ordering that the infringing or offending article be delivered to
the Commission. |
|
PART
IV: ADMINISTRATION OF COPYRIGHT |
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42. |
Section
52 – Establishment of Nigerian Copyright Commission |
This section established a body to be
known as the Nigerian Copyright Commission (“the Commission”) Saddled with
the following responsibilities: a.
Administration
of all matters affecting copyright in Nigeria as provided for in the Bill. b.
Monitoring
and supervision of Nigeria’s position in relation to international
conventions and advising Governments thereon.
c.
Advising
and regulating conditions for the conclusion of bilateral and multilateral
agreements between Nigeria and any other country. d.
Enlightening
and informing the public on matters relating to copyright. e.
Maintaining
an effective data bank on authors and their work. f.
Be
responsible to such other matters as relates to copyright in Nigeria as the
minister may from time to time direct. |
This section established a body called
Nigerian Copyright Commission and spelt out their duties and
responsibilities. These remain unchanged from the duties and responsibilities
in the existing Copyright Act. |
43. |
Section
53- Establishment, Membership and Functions of the Governing Board. |
This section gives the minister the
discretion to, from time to time direct that the Commission shall from time
to time have a governing board (“the Board”) which shall have the following
members- a.
a chairman to be a person knowledgeable in
the copyright matters to be appointed by the President on the recommendation
of the Minister. b.
The
Director-General of the Commission c.
One
representative of the Federal Ministry of Justice d.
One
representative of the Federal Ministry of Education. e.
A
representative of the Nigerian Police Force, not below the rank of a Commissioner
of Police. f.
One
representative of the Nigerian Customs Service, not below the rank of a
comptroller of customs. g.
Six other persons to be appointed by the
minister who shall represent as far as possible the authors in the following
areas- (i)
Literary
work (ii)
Artistic
work (iii)
Musical
works (iv)
Audiovisual
work (v)
Sound
recordings; and (vi)
Broadcasts
The section further provides that the
representative of the ministries shall be officers not below the rank of a
Director.
|
|
44. |
Section 54 – Appointment of the
Director- General and other staff of the Commission. |
This section creates the office of the
office of the director general of the Commission who shall be a legal
practitioner of not less than ten years post-call experience and
knowledgeable in copyright law and administration. The director general shall be
responsible for the day to day running of the Commission. |
|
45. |
Section 55 – Establishment of dispute
resolution panel |
The Commission may constitute a dispute
resolution panel (hereinafter referred to as (“the panel”) to resolve any
dispute in respect of payment of royalties or terms of license; or determine
any matter in respect of payment of royalties or terms of a license; or
determine any matter in respect of which a determination by the Commission is
required under this Bill.
It further provides that the panel shall
comprise of three persons knowledgeable in copyright matters, one of whom
shall be designated as a chairman.
A person shall not be appointed as a
member of the panel if he has any interest in any matter which is required to
be determined by the panel. (4) Where proceedings before the panel
have been commenced and the member of the panel is unable to continue, the
panel shall remain duly constituted for the purpose of those proceedings so
long as two members remain. The section finally provides that any
person dissatisfied with the decision of the panel my apply to the court for
a review of the decision. |
This section provides for dispute
resolution panel to resolve any dispute in respect of payment of royalties or
terms of a license or determine any matter in respect of which a
determination by the Commission is required by the Bill. |
46. |
Section 56 – Provision for appointment
of Copyright Inspectors. |
The section provides that the Commission
may appoint a copyright inspector as it may deem fit.
The section further empowers a copyright
inspector to: a.
Enter,
inspect and examine at any reasonable any building or premises which he
reasonably suspects are being used for any activity which is an infringement
of copyright under this Bill. b.
Arrest
any person who he reasonably believes to have committed an offence under the Bill.
c.
To
make such an examination and inquiry as may be necessary to ascertain whether
the provisions of this Bill are complied with. d.
To
require the production of the record required to be kept under this Bill and
it inspect, examine or copy it. e.
To
demand information and access any database relating to the copyright. f.
To
require any person who, he finds in such building or premises to give such
information as it is in his power to give in relation to any purposes
specified in this Bill and seize, confiscate, take into custody any
infringing copy, contrivance, material, equipment used in committing an
offence under this act. g.
Seal
up premises and carry out such examination, test or analysis within or
outside the premises as required to give effect to any provision of this act
and take instant or photograph is carried out within the premises and such
examination, test, analysis or photograph shall be required to be endorsed by
the occupier of the premises or his agent but a refusal by an occupier to
endorse any document containing the result of an examination, test , analysis
or photograph shall not invalidate the
result or finding of the examination
or photograph.
The Bill further provides that a
copyright inspector in the performance of his duties shall be guilty of an
offence and liable on conviction to a fine of not less than N 100,000.00 or
to imprisonment for a period not less than 12 months or to both such as fine
and imprisonment.
Finally, the Bill provides that a
Copyright Inspector shall have all the powers, rights and privileges of a
police officer as defined under the Police Act and under any other relevant
enactment pertaining g to the investigation, prosecution or defective of a
civil or criminal matter under this Bill.
|
This section provides for appointment of
Copyright inspectors and invests them with certain duties, powers and rights. |
47. |
Section 58 – Collective Management
organization. |
This
section provides for formation of a collective management organization
(“CMO”) in respect of any one or more rights of copyright owners for the
benefit of such owners, the CMO may apply to the Commission for approval to
operate as a collective management organization for the purpose of this Bill.
The Commission may approve a CMO if it is satisfied
that- a.
It is incorporated as a company limited
by guarantee. b.
Its objects are to carry out the
general duty of negotiating and granting copyright licenses and collecting
royalties on behalf of the copy right owners and distribute same to them. c.
It represents a substantial number of
owners of copyright in any category of work protected by this Bill. d.
It complies with the terms and
conditions prescribed by the regulations made by the Commission under this
section.
The
Bill further provides that the Commission shall not approve another CMO in
respect of any class of copyright owners if it is satisfied that an existing
approved CMO adequately protects the interests of that of copyright owners.
It
shall be unlawful for any group of persons, howsoever described, to purport
the duties of a CMO without the approval of the Commission as required under
this section. Where any person contravenes this provision, the person shall be
guilty of an offence and liable on conviction to a fine of not less than
N1,000,000.00 or to imprisonment for a term of not less than 3 years or to
both such fine and imprisonment. Where the contravention is by a body
corporate, it shall be guilty of an offence and liable on conviction to a
fine of not less than N5,000,000.00.
|
This section of the Bill makes the
approval of the CMO subject to the terms and conditions provided in the Copyright
(Collective Management Organisations) Regulations 2007 (the “Regulations”).
Whereas the Bill makes a wide provision that a CMO may be approved by the Commission
where it is satisfied that the CMO represents a substantial number of owners
of copyright, the Regulation specifies same where it provides that the
company shall represent not less than 100 right owners as a CMO approval
prerequisite.
The Bill goes ahead to make a specific
provision that the company applying as a CMO shall be a company limited by
guarantee while the Regulation only provides that the company shall be a duly
registered company. |
48. |
Section 59 – Compensation for private
copying. |
This section provides for compensation
on every material capable of being used to reproduce a work.
The section further provides that the
compensation payable under this section and any exemptions therefrom shall be
as may be prescribed by the Minister by Order published in the Gazette, and
different rates of compensation may be prescribed for different categories of
materials.
The compensation payable under this
section shall, subject to deductions, be disbursed to approved Collective
Management Organizations in accordance with the regulation made by the Commission.
Finally, the section defines material to
include any object, equipment, machine, contrivances or any other device used
or capable of being used to reproduce a work. |
This section provides for compensation
on every material capable of being reproduced. Any individual or body that
suffers a copyright infringement might be compensated under this provision. |
PART
V: MISCELLANEOUS |
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49. |
Section
60: Levy on copyright material |
Subsection
1, 2 and 3 provides that a levy shall be paid on any material which has been
used or is capable of being used to infringe copyright and this levy will be
determined by the Minister and published in the Gazette which is dependent on
the category of the material and which levy shall be paid to the fund of the Commission.
Subsection
4 provides for the power of the Minister to exempt any class of materials
from repayment of any levy while subsection 5 provides that materials mean
any object, equipment, machine, contrivances or any other device. |
This
Bill states that a levy shall be paid when there is a material that infringes
on a copyright. The Minister will have the power to determine how much will
be paid in this instance.
This
emphasizes the power of the minister to determine whether an object,
equipment, machine, contrivances or other device will not pay the required
levy. |
50. |
Section
61: Reciprocal extension of protection |
This
section provides that the Minister may extend the application of this act to
individuals domiciled or corporate bodies registered in countries that are
signatories to mutual treaties or international agreements with Nigeria and
the Country provides protection for copyright in works protected under this Bill. |
This
section states the instance where the application of this Bill may be
extended to other countries who are signatories to mutual treaties or
international agreements. |
51. |
Section
63: Presumptions |
This
section provides that certain things are presumed in an action for
infringement of copyright to wit: a copyright subsists, the plaintiff is the
owner of the work, the name of the author appearing on the work is the name
of the author, the name of the
publisher appearing on the work is the name of the publisher, that the work
is an original work and that it was published at the place and on the date
appearing on the work. |
This
section provides that where an action arises from a copyright, certain presumptions shall be made in the
face of the action such as is listed out in this section. |
52. |
Section
64: Restriction on importation of infringement copies |
Subsection
1 provides that the owner of the copyright may give notice in writing to the
Nigerian Customs Service that he is the owner of the copyright and that the Nigerian
Customs Service during the specified period treat the copies of the work as
prohibited goods.
Subsection
2 provides that section 1 shall apply to works made outside Nigeria which
would be an infringing work in Nigeria, as well. |
This
section provides the responsibility of the Nigerian Customs Service to
recognize and acknowledge the owner of a copyright after notice has been
given to it by such person. Subsection (2) provides that such recognition
will extend to work made outside Nigeria. |
53. |
Section
65: Regulations |
Subsections
1 and 2 state that the Minister shall make regulations for the works vested
in both the Government or in a state authority.
Subsection
4 states that the Commission shall have the power to make regulations
specifying the conditions necessary for operation of a business which
involves production, public exhibition hiring or rental. |
This
states the power of the Minister to make regulations.
|
54. |
Section
66: Jurisdiction |
This
section provides that the Federal High Court shall have exclusive
jurisdiction for trial of offences or disputes. |
This
pronounces the absolute jurisdiction of the Federal High Court on all offence
arising from copyright. |
55. |
Section
67: Limitation on suit against the Commission |
This
section provides for the limitation on actions against members of any staff
of the Commission in the cause of carrying out his duties under this Bill unless
such action is commenced within twelve months after the act or neglect or
where the damages continue.
Subsection
2 provides that no suit shall be commenced against any member of staff of the
Commission before the expiration of three months’ notice of intention to
commence the suit.
Subsection
3 provides that the notice shall include the cause of action, particulars of
claim, the name and place of abode of intending plaintiff. |
This
section states that there shall be a limit to suing a staff of the Commission,
particularly when the cause of action arose in the course of carrying out his
duty and also when the action occurred within the previous twelve months. It
also states that after the expiration of a three months’ notice, shall a suit
be commenced against a staff.
The
notice of intention to commence the suit must include the cause of action,
particulars of claim, the name and place of abode of intending plaintiff |
56. |
Section
69: Restriction on execution against the property of the Commission |
This section provides that in any suit
against the Commission, no execution or attachment or process in the nature
thereof shall be issued against the Commission. |
|
57. |
Section
70: Power of the Director to give directives |
The Minister may give to the Commission
directives of a general or special character with respect to its functions
under this Bill. |
|
FIRST – FIFTH SCHEDULE |
|||
First Schedule |
This
schedule describes the types of work and the expiration date of the copyright
(Terms of the Copyright) |
||
Second Schedule |
Outlines
the exceptions from Copyright control which is contained in Sections 6,7 and
8 of the Bill. |
||
Third Schedule |
Outlines
some special exceptions to the power conferred by section 6(4) of the Bill,
in respect of Sound Recording in a musical work |
||
Fourth Schedule |
This
Schedule provides the conditions required to obtain the Compulsory license
for Translation and Reproduction of Certain Work which includes the
production and publishing of translations, License for domestic broadcasting
organization, |
||
Fifth Schedule |
This
schedule outlines the Transitional and savings provisions as the Bill applies
to works made before the commencement of the Bill as well as works made after
the commencement of the Bill. |
[1] The exceptions as provided by the Bill are: (1) A literary, musical
or artistic work – (a) lacking sufficient effort in making the work to give it
an original character; (b) wherein the work has been fixed in any definite
medium of expression now known or later to be developed, from which it can be
perceived, reproduced or otherwise communicated either directly or with the aid
of any machine or device. (2) An artistic work, if at the time when the work is
made, it is intended by the author to be used as a model or pattern to be
multiplied by any industrial process.
[2] The section shall apply to sound recordings within fifty years
after the end of the year in which the recording was first published, and for
broadcasts, within fifty years after the end of the year in which the broadcast
first took place.
[3] A Copyright Inspector as appointed by the Commission shall have the
power to: enter, inspect and examine at any reasonable time any building or
premises which he reasonably suspects is being used for any activity which is
an infringement of copyright; arrest any person who he reasonably believes to
have committed an offence under the Bill; make such examination and inquiry as
may be necessary to ascertain whether the provisions of the Bill are complied
with; require the production of the record required to be kept under this Bill
and to inspect, examine or copy it; demand information and access any database
relating to copyright; require any person who, he finds in such building or
premises to give such information as it is in his power to give in relation to
any purposes specified in the Bill and seize, confiscate, take into custody any
infringing copy, contrivance, material, equipment used in committing an offence
under the Bill; seal up premises and carry out such examination, test or
analysis within or outside the premises as is required to give effect to any
provision of the Bill; and to exercise such other powers as the Commission may
delegate to it to give effect to the provisions of the Bill. A copyright
inspector may prosecute, conduct or defend before a court any charge,
information, complaint or other proceedings arising under the Bill.